Louise’s parents have passed away, and she’s returning to the small Southern town where she grew up to get their house ready to sell. It means she’ll have to spend time with her younger brother—and their old grudges make that a terrifying prospect. But childhood hurts pale in comparison to the dangers posed by what still lives inside the house.
Last summer, Alice Ogilvie’s basketball-star boyfriend Steve dumped her. Then she disappeared for five days. She’s not talking, so where she went and what happened to her is the biggest mystery in Castle Cove. Or it was, at least. But now, another one of Steve’s girlfriends has vanished: Brooke Donovan, Alice’s ex–best friend. And it doesn’t look like Brooke will be coming back. . .
Enter Iris Adams, Alice’s tutor. Iris has her own reasons for wanting to disappear, though unlike Alice, she doesn’t have the money or the means. That could be changed by the hefty reward Brooke’s grandmother is offering to anyone who can share information about her granddaughter’s whereabouts. The police are convinced Steve is the culprit, but Alice isn’t so sure, and with Iris on her side, she just might be able to prove her theory.
In order to get the reward and prove Steve’s innocence, they need to figure out who killed Brooke Donovan. And luckily Alice has exactly what they need—the complete works of Agatha Christie. If there’s anyone that can teach the girls how to solve a mystery it’s the master herself. But the town of Castle Cove holds many secrets, and Alice and Iris have no idea how much danger they’re about to walk into.
The Nightbirds are Simta’s best-kept secret: Girls with a unique and powerful magic they can gift with just a kiss. Some would kill to possess them; the church would kill them outright. But protected by the Great Houses, the Nightbirds are well-guarded treasures.
As this Season’s Nightbirds, Matilde, Æsa, and Sayer will spend their nights bestowing their gifts to well-paying clients. Once their season is through, they’re each expected to marry a Great House lord and become mothers to the next generation of Nightbirds before their powers fade away. But as they find themselves at the heart of a political scheme that threatens not only their secrets, but their very lives, their future suddenly becomes uncertain.
When they discover that there are other girls like them and that their magic is far more than they were told, they see the Nightbird system for what it is: a gilded cage. Now they must make a choice—to remain kept birds or take control, remaking the city that dared to clip their wings.
Sunny Nwazue lives in Nigeria, but she was born in New York City. Her features are West African, but she’s albino. She’s a terrific athlete, but can’t go out into the sun to play soccer. There seems to be no place where she fits in. And then she discovers something amazing—she is a “free agent” with latent magical power. And she has a lot of catching up to do.
Soon she’s part of a quartet of magic students, studying the visible and invisible, learning to change reality. But as she’s finding her footing, Sunny and her friends are asked by the magical authorities to help track down a career criminal who knows magic, too. Will their training be enough to help them combat a threat whose powers greatly outnumber theirs?
World Fantasy Award-winning author Nnedi Okorafor blends magic and adventure to create a lush world. Her writing has been called “stunning” by The New York Times and her fans include Neil Gaiman, Rick Riordan, John Green, Ursula K. Le Guin, and many more!
Ego, Zina, and Eriife were always destined to be best friends, ever since their grandmothers sat next to each other on a dusty bus to Lagos in the late 1940s, forging a bond that would last generations. But over half a century later, Nigeria is a new and modern country. As the three young women navigate the incessant strikes and political turmoil that surround them, their connection is shattered by a terrible assault. In the aftermath, nothing will remain the same as life takes them down separate paths. For Ego, now a high-powered London lawyer, success can’t mask her loneliness and feelings of being an outsider. Desperate to feel connected to Nigeria, she escapes into a secret life online. Zina’s ambition is to be anyone but herself; acting proves the ultimate catharsis, but it comes at the cost of her family. Eriife surprises everyone by morphing from a practicing doctor to a ruthless politician’s perfect wife.
When Ego returns home, the three women’s lives become entwined once more, as Nigeria’s political landscape fractures. Their shared past will always connect them, but can they—and their country – overcome it?
In We Were Girls Once, Aiwanose Odafen highlights hope, female friendship, childhood trauma, and migration.
Cape Town, 2028. The land cracks from a years-long drought, the nearby mountains threaten to burn, and the queue for the water trucks grows ever longer.
In her crumbling corner of a public housing complex, Deidre van Deventer receives a call from the South African police. Her family home, recently reclaimed by the government, has become the scene of a criminal investigation. The remains of several bodies have just been unearthed from her land, after decades underground. Detectives pepper Deidre with questions: Was your brother a member of a pro-apartheid group in the 1990s? Is it true that he was building bombs as part of a terrorist plot?
Deidre doesn’t know the answers to the detectives’ questions. All she knows is that she was denied—repeatedly—the life she felt she deserved. Overshadowed by her brother, then left behind by her daughter after she emigrated, Deidre must watch over her ageing mother and make do with government help and the fading generosity of her neighbours while the landscape around her grows more and more combustible. As alarming evidence from the investigation continues to surface, and detectives pressure her to share what she knows of her family’s disturbing past, Deidre must finally face her own shattered memories so that something better might emerge for her and her country.
In exquisitely spare prose, Karen Jennings weaves a singularly powerful novel about post-apartheid South Africa. It is an unforgettable, propulsive story of fractured families, collective guilt, the ways we become trapped in prisons of our own making, and how we can begin to break free.
The story of Golibe, a young woman who embarks on a mission to find her birth parents…but instead finds herself on a journey of love and self discovery.
If My Country Had a Jury is a futuristic legal thriller.
Alade, an aspiring litigant, is recently employed in the Office of the Public Defender and incidentally charged with the task of prosecuting an affluent degenerate, with little in terms of evidence. Along with his friend and a colleague, they battle a legal shyster of stellar repute in a courtroom filled with biased jurors. Will justice prevail, or once again be defeated by whims of the upper echelons? The outcome of the case will determine his future. The case has thrown him into the legal ocean; he must figure out a way to swim against the currents or drown in the tides of the legal profession.
You just boarded a flight to New York.
There are one hundred and forty-three other passengers onboard.
What you don’t know is that thirty minutes before the flight your pilot’s family was kidnapped.
For his family to live, everyone on your plane must die.
The only way the family will survive is if the pilot follows his orders and crashes the plane.
Enjoy the flight.
Soon to be a major motion picture sequel to Murder on the Orient Express with a screenplay by Michael Green, directed by and starring Kenneth Branagh alongside Gal Gadot—coming Feb 11, 2022!
Beloved detective Hercule Poirot embarks on a journey to Egypt in one of Agatha Christie’s most famous mysteries.
The tranquility of a luxury cruise along the Nile was shattered by the discovery that Linnet Ridgeway had been shot through the head. She was young, stylish, and beautiful. A girl who had everything . . . until she lost her life.
Hercule Poirot recalled an earlier outburst by a fellow passenger: “I’d like to put my dear little pistol against her head and just press the trigger.” Yet under the searing heat of the Egyptian sun, nothing is ever quite what it seems.
A sweeping mystery of love, jealousy, and betrayal, Death on the Nile is one of Christie’s most legendary and timeless works.
In 1925, Miss Nan O’Dea infiltrated the wealthy, rarefied world of author Agatha Christie and her husband, Archie. In every way, she became a part of their life––first, both Christies. Then, just Archie. Soon, Nan became Archie’s mistress, luring him away from his devoted wife, desperate to marry him. Nan’s plot didn’t begin the day she met Archie and Agatha.
It began decades before, in Ireland, when Nan was a young girl. She and the man she loved were a star-crossed couple who were destined to be together––until the Great War, a pandemic, and shameful secrets tore them apart. Then acts of unspeakable cruelty kept them separated.
What drives someone to murder? What will someone do in the name of love? What kind of crime can someone never forgive? Nina de Gramont’s brilliant, unforgettable novel explores these questions and more.
Summer 1995: Ten-year-old Joan, her mother, and her younger sister flee her father’s explosive temper and seek refuge at her mother’s ancestral home in Memphis. This is not the first time violence has altered the course of the family’s trajectory. Half a century earlier, Joan’s grandfather built this majestic house in the historic Black neighborhood of Douglass—only to be lynched days after becoming the first Black detective in the city. Joan tries to settle into her new life, but family secrets cast a longer shadow than any of them expected.
As she grows up, Joan finds relief in her artwork, painting portraits of the community in Memphis. One of her subjects is their enigmatic neighbor Miss Dawn, who claims to know something about curses, and whose stories about the past help Joan see how her passion, imagination, and relentless hope are, in fact, the continuation of a long matrilineal tradition. Joan begins to understand that her mother, her mother’s mother, and the mothers before them persevered, made impossible choices, and put their dreams on hold so that her life would not have to be defined by loss and anger—that the sole instrument she needs for healing is her paintbrush.
Unfolding over seventy years through a chorus of unforgettable voices that move back and forth in time, Memphis paints an indelible portrait of inheritance, celebrating the full complexity of what we pass down, in a family and as a country: brutality and justice, faith and forgiveness, sacrifice and love.
They went away as friends.
They came back as suspects.
Rachel and Jack. Paige and Noah. And Will. Five friends who’ve known one another for years. Then along came Ali, Will’s new fiancée.
The three couples travel to Portugal for Ali and Will’s destination wedding. The weekend away at the gorgeous cliff-top villa is a chance to relax and get to know Ali an little better. She seems perfectly nice―and Will seems happy after years of bad choices.
But when Rachel discovers a shocking secret about Ali, everything changes. As the wedding weekend unfolds, the secrets each of them holds begin to spill, and friendships and marriages threaten to unravel.
In Sandie Jones’s explosive suspense novel, jumping to conclusions can become the difference between life and death.
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
To Paradise is a fin de siecle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love—partners, lovers, children, friends, family and even our fellow citizens—and the pain that ensues when we cannot.
Born into slavery on the tiny Caribbean island of Montserrat, Doll bought her freedom—and that of her sister and her mother—from her Irish planter father and built a legacy of wealth and power as an entrepreneur, merchant, hotelier, and planter that extended from the marketplaces and sugar plantations of Dominica and Barbados to a glittering luxury hotel in Demerara on the South American continent.
Vanessa Riley’s novel brings Doll to vivid life as she rises above the harsh realities of slavery and colonialism by working the system and leveraging the competing attentions of the men in her life: a restless shipping merchant, Joseph Thomas; a wealthy planter hiding a secret, John Coseveldt Cells; and a roguish naval captain who will later become King William IV of England.
From the bustling port cities of the West Indies to the forbidding drawing rooms of London’s elite, Island Queen is a sweeping epic of an adventurer and a survivor who answered to no one but herself as she rose to power and autonomy against all odds, defying rigid eighteenth-century morality and the oppression of women as well as people of color. It is an unforgettable portrait of a true larger-than-life woman who made her mark on history.
Fifteen years ago, five ordinary teenagers were singled out by a prophecy to take down an impossibly powerful entity wreaking havoc across North America. He was known as the Dark One, and his weapon of choice—catastrophic events known as Drains—leveled cities and claimed thousands of lives. Chosen Ones, as the teens were known, gave everything they had to defeat him.
After the Dark One fell, the world went back to normal . . . for everyone but them. After all, what do you do when you’re the most famous people on Earth, your only education was in magical destruction, and your purpose in life is now fulfilled?
Of the five, Sloane has had the hardest time adjusting. Everyone else blames the PTSD—and her huge attitude problem—but really, she’s hiding secrets from them . . . secrets that keep her tied to the past and alienate her from the only four people in the world who understand her.
On the tenth anniversary of the Dark One’s defeat, something unthinkable happens: one of the Chosen Ones dies. When the others gather for the funeral, they discover the Dark One’s ultimate goal was much bigger than they, the government, or even prophecy could have foretold—bigger than the world itself.
And this time, fighting back might take more than Sloane has to give.
