Fiction

A teacher with big dreams joins forces with a no-nonsense engineer to survive an ex’s wedding and escape matchmaking pressure from their Indian families. Their plan? Faking an engagement, of course.

Meghna Raman defied her parents’ wishes and followed her life’s passion, becoming a theater teacher and aspiring playwright. When she discovers that her beloved writing partner, best friend, and secret crush, Seth, is engaged—and not to her—she realizes he’s about to become the one-that-got-away. Even worse, he’s asked her to be his best man. And worse than that, she’s agreed. Determined to try and move on, Meghna agrees to let her parents introduce her to a potential match. Maybe she could marry the engineer that her parents still wish she’d become.

Grumpy engineer Karthik Murthy has seen enough of his parents’ marriage to know it’s not for him. He agreed to his mother’s matchmaking attempts to make her happy, never dreaming he would meet someone as vibrant as Meghna. Though he can’t offer her something real, a fake engagement could help Meghna soothe the sting of planning Seth’s wedding festivities and Karthik avoid the absurd number of set-ups his mother has planned for him.

As the two find common ground, grow protective of each other’s hearts, and start to fall for the traits they originally thought they hated, an undeniable chemistry emerges. But soon, their expectations and insecurities threaten something that’s become a lot more real than they’d planned.

Say You’ll Be Mine is a delightful trip back to the heyday of swoony romantic comedies from the nineties, but with a deep and poignant look at the effects of culture and family in our most intimate relationships.

It should have been the perfect spring break: Five girlfriends. A remote winery on the Oregon coast. An infinite supply of delicious wine at their manicured fingertips. But then their center—beautiful, magnetic Vanessa Morales—vanished without a trace.

Emily Fischer was perhaps the last person to see her alive. But now, years later, Emily spots Vanessa’s doppelganger at a local café. At the end of her rope working a lucrative yet mind-numbing gig on a network sitcom, Emily is inspired to finally tell the story that’s been percolating inside her for so long: Vanessa’s story. But first, she needs to know what really happened on that fateful night. So she puts a brilliant scheme into motion.

She gets the girls together for a reunion weekend at the scene of the crime under the guise of reconnecting. There’s Brittany, Vanessa’s cousin and the inheritor of the winery; Paige, a former athlete, bullish yet easily manipulated; and Lydia, the wallflower of the group.

One of them knows the truth. But what have they each been hiding? And how much can Emily trust anything she learns from them . . . or even her own memories of Vanessa’s last days?

Suspenseful, propulsive, and interspersed with scenes from Emily’s blockbuster screenplay, Scenes of the Crime is an unforgettable mystery that examines culpability, the shiny rearview mirror of Hollywood storytelling, and the pitfalls of female friendship.

The award-winning master of psychological suspense is in top form in this collection of diverse and diabolically clever stories.

In the never-before-published “Just One More,” a married couple—longing for that old romantic spark—creates a playful diversion that comes with unexpected consequences.

Lippman’s beloved Baltimore PI Tess Monaghan keeps a watchful eye on a criminally resourceful single father in “Seasonal Work,” while her mother, Judith, realizes that the life of “The Everyday Housewife”is an excellent cover for all kinds of secrets.

In “Slow Burner,” a husband’s secret cell phone proves to be a dicey temptation for a suspicious wife.

A father’s hidden past piques the curiosity of a young snoop in “The Last of Sheila-Locke Holmes.”

Plus seven other brilliantly crafted stories of deception, murder, dangerous games, and love gone wrong—irrefutable evidence that Laura Lippman’s riveting fiction will more than satisfy any crime reader.