Fiction

1866, Cuba: María Isabel is the only woman employed at a cigar factory, where each day the workers find strength in daily readings of Victor Hugo. But these are dangerous political times, and as María begins to see marriage and motherhood as her only options, the sounds of war are approaching.

1959, Cuba: Dolores watches her husband make for the mountains in answer to Fidel Castro’s call to arms. What Dolores knows, though, is that to survive, she must win her own war, and commit an act of violence that threatens to destroy her daughter Carmen’s world.

2016, Miami: Carmen, still wrestling with the trauma of displacement, is shocked when her daughter Jeanette announces her plans to travel to Cuba to see her grandmother Dolores. In the walls of her crumbling home lies a secret, one that will link Jeanette to her past, and to this fearless line of women.

From nineteenth-century cigar factories to present-day detention centres, from Cuba to the United States to Mexico, Gabriela Garcia’s Of Women and Salt follows Latina women of fierce pride, bound by the stories passed between them. It is a haunting meditation on the choices of mothers and the tenacity of women who choose to tell their truth despite those who wish to silence them.

This edition of Charles Dickens’ classic novel features a suede-like custom cover with beautiful metallic foiling and a ribbon marker.

This powerful novel about poverty and justice remains a time-honored classic in children’s literature. The story follows a young orphan named Oliver who runs away from the workhouse and encounters an artful group of thieves. A cast of unforgettable characters and vivid imagery will have readers deeply and emotionally enthralled. An ideal read for teens and young adults.

Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling

On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.

With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

Alia Dunn has finally gotten her big break. After years of working her way up at TV’s top outdoor travel channel, she gets the green light from network executives to bring her dream project to life: produce a series about Utah’s national parks. It’s a touching tribute to her late apong, who sparked Alia’s passion for travel and the outdoors as a kid.

Alia is thrilled—until she meets her newest crew member, Drew Irons. The same Drew she had the most amazing first date with two weeks ago—who then ghosted her. The same Drew who has the most deliciously thick forearms and who loves second-guessing her every move on set in front of the entire crew. It’s not long before the tension between them turns hotter than the Utah desert in the dead of summer, and their steamy encounters lead to major feelings.

But when the series host goes rogue one too many times, jeopardizing the entire shoot, Alia realizes that she’ll need to organize one hell of a coup to save her show—and she’ll need Drew’s help to do it. It’s the riskiest move she’s ever made. If she pulls it off, she’ll end up with a hit series and her dream guy . . . but if it all goes wrong, she could lose both.

A handsome and reclusive horse breeder, Spencer Dumarque, the fourth Duke of Morland, is a member of the exclusive Stud Club, an organization so select it has only ten members—yet membership is attainable to anyone with luck. And Spencer has plenty of it, along with an obsession with a prize horse, a dark secret, and, now, a reputation as the dashing “Duke of Midnight.” Each evening he selects one lady for a breathtaking midnight waltz. But none of the women catch his interest, and nobody ever bests the duke—until Lady Amelia d’Orsay triesher luck.

In a moment of desperation, the unconventional beauty claims the duke’s dance and unwittingly steals his heart. When Amelia demands that Spencer forgive her scapegrace brother’s debts, she never imagines that her game of wits and words will lead to breathless passion and a steamy proposal. Still, Spencer is a man of mystery, perhaps connected to the shocking murder of the Stud Club’s founder. Will Amelia lose her heart in this reckless wager or win everlasting love?