Fiction

L.A. is parched, dry as a bone, and all Oscar, the weather-obsessed patriarch of the Alvarado family, desperately wants is a little rain. He’s harboring a costly secret that distracts him from everything else. His wife, Keila, desperate for a life with a little more intimacy and a little less Weather Channel, feels she has no choice but to end their marriage. Their three daughters – Claudia, a television chef with a hard-hearted attitude; Olivia, a successful architect who suffers from gentrification guilt; and Patricia, a social media wizard who has an uncanny knack for connecting with audiences but not with her lovers?are blindsided and left questioning everything they know. Each will have to take a critical look at her own relationships and make some tough decisions along the way.

With quick wit and humor, Maria Amparo Escandón follows the Alvarado family as they wrestle with impending evacuations, secrets, deception, and betrayal, and their toughest decision yet: whether to stick together or burn it all down.

From the master of the short short comes a collection of 16 new stories featuring old friends who have loved and lunched together for over 40 years. These erudite, sharp-minded nonagenarians offer startling insights into friendship, family and aging.

Can the group organize a visit to one of their number in her new, and detested, assisted living situation? Is this a fabulous party with old friends, or a funeral reception? And does who was sleeping with whom, way back when, still matter?

In story after story, Segal’s voice is always hilarious and urbane, heartbreaking and profound, keen and utterly unsentimental, as she tackles aging’s affronts.

Just as things at work are slowing down for PI Emma Djan, an old friend of her boss’s asks for help locating his missing daughter in Accra. According to her father, Ngozi had a bright future ahead of her when she became secretive and withdrawn. Suddenly, all she wanted to do was be with her handsome new beau, Femi, instead of attending law school in the fall. So when she disappears from her parents’ house in Nigeria in the middle of the night, they immediately suspect Femi was behind it and have reason to believe the pair has fled to Ghana.

The case escalates quickly when Femi is found murdered at an opulent hotel in Accra, but there are no signs of Ngozi at the scene. Emma knows if she’s to have any hope of finding Ngozi, she must learn more about Femi, so she digs into his past and discovers he was part of a network of sex traffickers operating across West Africa. Fearing the worst, Emma resorts to dangerous undercover work in a desperate attempt to track Ngozi down before it’s too late.

Parasite meets The Good Son in this piercing psychological portrait of three women haunted by a brutal, unsolved crime.

In the summer of 2002, when Korea is abuzz over hosting the FIFA World Cup, eighteen-year-old Kim Hae-on is killed in what becomes known as the High School Beauty Murder. Two suspects quickly emerge: rich kid Shin Jeongjun, whose car Hae-on was last seen in, and delivery boy Han Manu, who witnessed her there just a few hours before her death. But when Jeongjun’s alibi checks out, and no evidence can be pinned on Manu, the case goes cold.

Seventeen years pass without any resolution for those close to Hae-on, and the grief and uncertainty take a cruel toll on her younger sister, Da-on, in particular. Unable to move on with her life, Da-on tries in her own twisted way to recover some of what she’s lost, ultimately setting out to find the truth of what happened.

Shifting between the perspectives of Da-on and two of Hae-on’s classmates struck in different ways by her otherworldly beauty, Lemon ostensibly takes the shape of a crime novel. But identifying the perpetrator is not the main objective here: Kwon Yeo-sun uses this well-worn form to craft a searing, timely exploration of privilege, jealousy, trauma, and how we live with the wrongs we have endured and inflicted in turn.