Fiction

Elizabeth, Joyce, Ron and Ibrahim—the Thursday Murder Club—are still riding high off their recent real-life murder case and are looking forward to a bit of peace and quiet at Cooper’s Chase, their posh retirement village.

But they are out of luck.

An unexpected visitor—an old pal of Elizabeth’s (or perhaps more than just a pal?)—arrives, desperate for her help. He has been accused of stealing diamonds worth millions from the wrong men and he’s seriously on the lam.

Then, as night follows day, the first body is found. But not the last. Elizabeth, Joyce, Ron and Ibrahim are up against a ruthless murderer who wouldn’t bat an eyelid at knocking off four septuagenarians. Can our four friends catch the killer before the killer catches them? And if they find the diamonds, too? Well, wouldn’t that be a bonus? You should never put anything beyond the Thursday Murder Club.

Richard Osman is back with everyone’s favorite mystery-solving quartet, and the second installment of the Thursday Murder Club series is just as clever and warm as the first—an unputdownable, laugh-out-loud pleasure of a read.

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack.

New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.

Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.

Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

Everyone’s Dying to Join . . .

The Home Group is a glamorous collection of celebrity members’ clubs dotted across the globe, where the rich and famous can party hard and then crash out in its five-star suites, far from the prying eyes of fans and the media.

The most spectacular of all is Island Home—a closely-guarded, ultraluxurious resort, just off the English coast—and its three-day launch party is easily the most coveted A-list invite of the decade.

But behind the scenes, tensions are at breaking point: the ambitious and expensive project has pushed the Home Group’s CEO and his long-suffering team to their absolute limits. All of them have something to hide—and that’s before the beautiful people with their own ugly secrets even set foot on the island.

As tempers fray and behavior worsens, as things get more sinister by the hour and the body count piles up, some of Island Home’s members will begin to wish they’d never made the guest list.

Because at this club, if your name’s on the list, you’re not getting out.

South Korea, 1970.

San is a lonely child, ostracised from her community. She soon finds a friend in a girl called Namae, until one afternoon changes everything. Following a moment of intimacy in a minari field, Namae violently rejects San, setting her on a troubling path.

We next meet San, aged twenty-two, when she happens upon a job at a flower shop in Seoul’s bustling city centre. Over the course of one hazy, volatile summer, San is introduced to a curious cast of characters – the mute shop owner, a brash co-worker, kind farmers and aggressive customers – and fuelled by a quiet desperation to jump-start her life, she plunges headfirst into obsession with a passing magazine photographer. Throughout it all, San’s moment with Namae continues to linger in the back of her mind.

A story of thwarted desire, misogyny and erasure, Violets reveals the high stakes involved in one woman’s desperate search for both autonomy and attachment in an unforgiving society.