Fiction

A woman who carries her fate and that of her community in her hair is beguiled by the deceptive designs of Europeans out to colonise her most prized possession. A man finds happiness in the reincarnation of a lost love. A young woman risks her life for freedom through the cultural practice of a human loan scheme.

Tales of sacrifice, love, freedom, self-discovery and loss fill the pages of this larger-than-life tapestry of stories from across Africa and its diaspora. Forged in a diversity of tempers and forms, these stories range from the epistolary to the experimental, from mysteries, noirs and political thrillers to speculative fiction and futurism, and much more. In prose that moves from visual and lyrical to gritty and visceral, these writers explore fate, memory, the fragility of love and the duplicitous nature of human interactions

Stories by: Doreen Baingana, Meron Hadero, Rémy Ngamije Troy Onyango, Iryn Tushabe Joshua Chizoma Nana-Ama Danquah, Hannah Giorgis , Idza Luhumyo Billie McTernan, Elizabeth Johnson, Audrey Obuobisa-Darko, Sally Sadie Singhateh, Victor Forna, Onengiye Nwachukwu, Kofi Konadu Berko, Akua Serwaa Amankwah, Akachi Adimora-Ezeigbo, Andrew Aidoo, Rafeeat Aliyu and TJ Benson.

The 1961 film version of A Raisin in the Sun, with a screenplay by the author, Lorraine Hansberry, won an award at the Cannes Film Festival even though one-third of the actual screenplay Hansberry had written had been cut out. The film did essentially bring Hansberry’s extraordinary play to the screen, but it failed to fulfill her cinematic vision.

Now, with this landmark edition of Lorraine Hansberry’s original script for the movie of A Raisin in the Sun that audiences never viewed, readers have at hand an epic, eloquent work capturing not only the life and dreams of a Black family, but the Chicago—and the society—that surround and shape them.

Important changes in dialogue and exterior shots, a stunning shift of focus to her male protagonist, and a dramatic rewriting of the final scene show us an artist who understood and used the cinematic medium to transform a stage play into a different art form—a profound and powerful film.

Lady Lucie is fuming. She and her band of Oxford suffragists have finally scraped together enough capital to control one of London’s major publishing houses, with one purpose: to use it in a coup against Parliament. But who could have predicted that the one person standing between her and success is her old nemesis, Lord Ballentine? Or that he would be willing to hand over the reins for an outrageous price–a night in her bed.

Lucie tempts Tristan like no other woman, burning him up with her fierceness and determination every time they clash. But as their battle of wills and words fans the flames of long-smoldering devotion, the silver-tongued seducer runs the risk of becoming caught in his own snare.

As Lucie tries to out-maneuver Tristan in the boardroom and the bedchamber, she soon discovers there’s truth in what the poets say: all is fair in love and war…

College volleyball star Avery Truitt has not seen her former flame, Prince Colin of Brighton Kingdom, since he suddenly pushed her away five years ago. But now, the sadness of losing her father and the joy of her sister Susanna’s pregnancy have brought Avery back to Brighton just in time for Cathedral City’s enchanting Christmas season.

Avery knows she can’t avoid seeing Colin—now the Kingdom’s most eligible bachelor—whether or not her heart is ready to relive the pain. But seeing him again might bring her the closure she needs after all this time.

When Colin finds himself at the center of a centuries-old Brighton tradition, he must decide whether to follow the path laid out before him or follow his heart to the only woman for whom he would ring the Pembroke Chapel Bell.

Can Colin convince Avery to meet him at the chapel on Christmas morning as tradition dictates, or will Avery run back to her St. Simons home and pursue a coaching career as planned?

A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy tells the story of ordinary people caught up in a web of love, ambition, humor, sadness, prejudice, reconciliation, the most delicate social etiquette, and the most appalling violence.

Vikram Seth’s novel is, at its core, a love story: the tale of Lata’s—and her mother, Mrs. Rupa Mehra’s—attempts to find a suitable boy for Lata, through love or through exacting maternal appraisal. Set in the early 1950s in an India newly independent and struggling through a time of crisis, this compelling story takes us into the richly imagined world of four large extended families and spins a compulsively readable tale of their lives and loves.