Fiction

In his first-ever short story collection, which spans forty years of work, Alan Moore presents a series of wildly different and equally unforgettable characters who discover–and in some cases even make and unmake–the various uncharted parts of existence.

In “A Hypothetical Lizard,” two concubines in a brothel of fantastical specialists fall in love with tragic ramifications. In “Not Even Legend,” a paranormal study group is infiltrated by one of the otherworldly beings they seek to investigate. In “Illuminations,” a nostalgic older man decides to visit a seaside resort from his youth and finds the past all too close at hand. And in the monumental novella “What We Can Know About Thunderman,” which charts the surreal and Kafkaesque history of the comics industry’s major players over the last seventy-five years, Moore reveals the dark, beating heart of the superhero business.

From ghosts and otherworldly creatures to theoretical Boltzmann brains fashioning the universe at the big bang, Illuminations is exactly that–a series of bright, startling tales from a contemporary legend that reveal the full power of imagination and magic.

Spoiled, fickle, and prissy are only a few of the adjectives that have been used to describe Morgan Redford. Though she’s never had to worry about money, she’s determined to make a name for herself on her own terms. Her new venture won’t be an epic fail like her former professional cuddling service or the short-lived pet hotel. This time, through the nonprofit she cofounded, Morgan is doing something meaningful—helping teens who are aging out of foster care—and she’s got her eye on a property that could house these kids. But the competition is steep, and one of the bidders is someone she never expected. . . .

When real estate developer Drake Faulkner learns that his ex—the one who ghosted him years ago—is a potential buyer for the property his eccentric mentor is selling, his competitive streak amps up. No way is he letting her win the property he wants. Bitter? Yes. Petty? Probably. But his mentor has a stipulation: potential buyers must participate in an Ironman competition of sorts for the property. Drake refuses to play along with this ridiculous demand, until he discovers Morgan has signed up. If Little Miss Can’t Run a Block Without Gasping for Air is doing it, he will too. But as the gauntlet of games heats up and forces them to face the past, they are met with a pull that feels all too familiar.

Now, if only they could keep their eyes on the prize instead of on each other—but who’s to say they can’t do both?

April 1958. Organizing the Brussels World’s Fair, the biggest international event since the end of the Second World War, subcommissioner Robert Dumont cedes to pressure from the royal palace: there will be a “Congolese village” in one of the seven pavilions devoted to the settlements. Among the eleven members of this “human zoo” assembled to put on a show at the foot of the Atomium is the young Tshala, daughter of the intractable king of the Bakuba. From her native Kasai to Brussels via Léopoldville, the princess’s journey unfolds—until her forced exhibition at Expo 58, where we lose track of her.

Summer 2004. Newly arrived in Belgium, a niece of the missing princess crosses paths with a man haunted by the ghost of his father—Francis Dumont, professor of law at the Free University of Brussels. A breathtaking series of events will reveal to them a secret the former subcommissioner of Expo 58 carried to his grave.

From one century to the next, In the Belly of the Congo confronts History with a capital “H” to pose the central question of the colonial equation: Can the past pass?

As glittering as their name, The Diamonds were on the brink of 1990s pop music stardom—until betrayal tore them apart. Now these four very different women are getting a second shot at success. But will reuniting mend their rift—or will lasting secrets, unspoken betrayals, new temptations, and the hard-knocks of today’s music industry destroy them, and their dreams, for good?

Angel. Carmen. Doreen. Jade. Talented Memphis girls who had a brush with pop music fame—guided by Carmen’s warm-hearted mother. But when she was elbowed out for a bigger manager, Carmen walked too. The bitter breakup shattered the Diamonds’ never-easy “sisterhood” —and cost them the big-time.

Now a reunion offers a fresh start, just as mid-life struggles are pushing all four to the brink.

Angel hopes to reignite her failing solo career, but her insatiable ego keeps getting in the way. . . . Carmen was the group’s peacemaker, but with her son in serious trouble, she’s run out of patience. . . . Doreen longs to recapture the highs of performing, minus the drug haze—even as it risks her life as a pastor’s wife. . . . And Jade, always the wallflower, is determined to get recognized this time around.

As the women contend with the new and overwhelming demands of celebrity, they find that the old traps have stayed the same. Can they ever reach true sisterhood—and help each other become the sparkling gems they were meant to be?