Fiction

Hilarious, strange and moving in equal measure – a Japanese multi-million-copy smash hit about the struggles of a pair of young manzai stand-up comedians

Tokunaga is a young comedian struggling to make a name for himself when he is taken under the wing of Kamiya, who is either a crazy genius or perhaps just crazy. Kamiya’s indestructible confidence inspires Tokunaga, but it also makes him doubt the limits of his own talent, and dedication to Manzai comedy.

Spark is a story about art and friendship, about countless bizarre drunken conversations and how far it’s acceptable to go for a laugh. A novel about comedy that’s as moving and thoughtful as it is funny, it’s already been a sensation in Japan.

Born just ten months apart, July and September are thick as thieves, never needing anyone but each other. Now, following a case of school bullying, the teens have moved away with their single mother to a long-abandoned family home near the shore. In their new, isolated life, July finds that the deep bond she has always shared with September is shifting in ways she cannot entirely understand. A creeping sense of dread and unease descends inside the house. Meanwhile, outside, the sisters push boundaries of behavior–until a series of shocking encounters tests the limits of their shared experience, and forces shocking revelations about the girls’ past and future.

Written with radically inventive language and imagery by an author whose work has been described as “entrancing” (The New Yorker), “a force of nature” (The New York Times Book Review), and “weird and wild and wonderfully unsettling” (Celeste Ng), Sisters is a one-two punch of wild fury and heartache–a taut, powerful, and deeply moving account of sibling love and what happens when two sisters must face each other’s darkest impulses.

Quentin Tarantino’s long-awaited first work of fiction — at once hilarious, delicious, and brutal — is the always surprising, sometimes shocking new novel based on his Academy Award-winning film.

From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah’s writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country.

These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In “The Finkelstein Five,” Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In “Zimmer Land,” we see a far-too-easy-to-believe imagining of racism as sport. And “Friday Black” and “How to Sell a Jacket as Told by Ice King” show the horrors of consumerism and the toll it takes on us all.

Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.

Marcos has just been through a divorce and moved into a new apartment. He feels alienated from his ex-wife, from his daughter, from society; everything feels flat and fake to him. He begins to receive letters at his new address from an anonymous troubled woman who signs off as A. and who clearly believes she is writing to the former tenant, her ex-lover, in the aftermath of a violent heartbreak. Marcos falls under the spell of the manic, hypnotic missives and for the first time in years, something moves him.

Blue Flowers alternates between the letters detailing the dissolution of A.’s relationship, and Marcos’ growing fixation with this damaged person. The letters become a kind of exorcism as both A.’s epistolary affair and Marcos’ personal life reach a crisis point. Possessed by A., he is driven to discover her true identity. Blue Flowers is a dark portrait of desire, undermining accepted truths about love and sex, violence and fear, men and women.