Fiction

Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy?

As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured. And, to her horror, compared to the other bodies strewn about, she’s the lucky one.

So, of course, then she gets laid off.

With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.

Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing. And with social media and viral videos, she can control that appearance.

It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.

A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

Private investigator Kira Vance spends her days navigating the intricate labyrinth of Houston’s legal world, and she knows all of its shadowy players and dark secrets.

On a seemingly normal day, she’s delivering a report to her top client when suddenly everything goes sideways and the meeting ends in a bloodbath. Twenty-four hours later, the police have no suspects but one thing is clear: a killer has Kira in his sights.

Fiercely independent, Kira doesn’t expect—or want—help from anyone, least of all an unscrupulous lawyer and his elite security team. Instead, she launches her own investigation, hoping to uncover the answers that have eluded the police. But as Kira’s hunt for clues becomes more and more perilous, she realizes that she alone may hold the key to finding a vicious murderer. And she knows she must take help wherever she can find it if she wants to stay alive…

In Hidden Bodies, the basis for season two of the hit Netflix series, You, Joe Goldberg returns.

Joe is no stranger to hiding bodies. In the past ten years, this thirty-something has buried four of them, collateral damage in his quest for love. Now he’s heading west to Los Angeles, the city of second chances, determined to put his past behind him.

In Hollywood, Joe blends in effortlessly with the other young upstarts. He eats guac, works in a bookstore, and flirts with a journalist neighbor. But while others seem fixated on their own reflections, Joe can’t stop looking over his shoulder. The problem with hidden bodies is that they don’t always stay that way. They reemerge, like dark thoughts, multiplying and threatening to destroy what Joe wants most: true love. And when he finds it in a darkened room in Soho House, he’s more desperate than ever to keep his secrets buried. He doesn’t want to hurt his new girlfriend—he wants to be with her forever. But if she ever finds out what he’s done, he may not have a choice…

Ad executive Tomás Garcia shouldn’t even be thinking about his daughter’s alluring dance teacher, Yazmine Fernandez. Burned by his divorce, he’s laser-focused on his career—and giving his young daughter, Maria, the secure home she deserves. But Yazmine’s generous, caring spirit is sparking a desire Tomás can’t resist—and doesn’t want to let go . . .

For Yaz, good-looking workaholics like Tomás simply can’t be part of her life ever again. She owes it to herself to get back her confidence and fulfill the dreams her papá could not. She’s glad to spend time with Maria—and she’s sure that she and Tomás can keep their attraction under control when there’s so much at stake. But each unexpected intimacy, each self-revelation, makes the fire between them grow hotter with every step—and every risk to their hearts . . .

The Reverend Boughton’s hell-raising son, Jack, has come home after twenty years away. Artful and devious in his youth, now an alcoholic carrying two decades worth of secrets, he is perpetually at odds with his traditionalist father, though he remains his most beloved child. As Jack tries to make peace with his father, he begins to forge an intense bond with his sister Glory, herself returning home with a broken heart and turbulent past.

Home is a luminous and healing book about families, family secrets, and faith from one of America’s most beloved and acclaimed authors.

Powerful and deeply personal, these three essays by the great Nigerian author articulate his mission to rescue African culture from the narratives written by Europeans. Looking through the prism of his experiences as a student in English schools in Nigeria, he recalls his first encounters with European perspectives on Africa in the works of Joyce Cary and Elspeth Huxley. He examines the impact that his novel Things Fall Apart—as well as fellow Nigerian Amos Tutola’s The Palm-Wine Drinkard and Jomo Kenyatta’s Facing Mt. Kenya, among other works—had on efforts to reclaim Africa’s story. He confronts the persistence of colonial views of Africa. And he argues for the importance of living and writing the African experience: Africa needs stories told by Africans.