Fiction

In Morrison’s acclaimed first novel, Pecola Breedlove—an 11-year-old Black girl in an America whose love for its blond, blue-eyed children can devastate all others—prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning, and the tragedy of its fulfillment.

Freelance writer Sora Reid believes in inertia. She’s the odd one out in a close-knit family of go-getters, including her Japanese-American mom, who hints about her need to lose weight, and her soon-to-be married, overachieving younger sister, who needs her to have a date for the wedding, since a wedding party couples’ dance with their Scottish great uncle Bob simply won’t do. For Sora, minimal input, minimal expectations is the way to go. She’d rather stay at home with her insufferable neighbor and her adorable pitbull.

The one thing that disrupts her inertia: an intense dislike for Valentine’s Day. What is it with the commercial love machine? Why do we pin our hopes on one romantic day, when staying home with a package of bacon and a bottle of tequila would be way better? Sora’s been betrayed and disappointed more than once and her heart is starting to feel like her Grandma Mitsuye’s antique Japanese ceramic bowl, with its many gold-filled cracks.

When her pledge to stay single in February inspires readers to #gosolo, Sora has a responsibility to empower her readers. But relationships aren’t built to last, so it shouldn’t be that hard. Right?

Enter Jack Mann. A muscle-bound baker who looks like he lifts logs on the weekends, Sora hasn’t thought of Jack since they were in elementary school together. When they see each other at the local grocery store and the attraction hits hard, Sora knows she has to shut it down, quick. She can’t #gosolo AND get the guy. She can’t let down her readers. And relationships always end, so why should Jack be any different–even though he’s confounding all her long-held expectations of love?

Hillary Greene’s father, once a celebrated author and public figure, is now losing his memory and, with it, his ability to write. As her father’s primary caretaker, each day begins with two eggs, boiled and Charlie Rose or some other host on the iPad screen. Her father compulsively watches himself in old interviews, memorizing his own speech, trying to hang on to who he was.

An aspiring author herself, Hillary impulsively agrees to ghost-write his final work—a memoir spanning his career—and release it in his name. Diving deep into her father’s past, and in turn her own, a horrifying truth begins to piece itself together.

With full control over her father’s memoir, Hillary is faced with a stark choice: reveal her father as a monster or preserve his legacy as a respected literary figure. But she wonders what writing the truth will do to her and if it will damage her own prospects for a career. Whichever option she chooses, Hillary has to deal with the significant pain writing the memoir has re-surfaced—specifically, how the truth about her father adds to her grief over the death of her enigmatic sister, Pauline. For the first time in her life, Hillary holds the power.

Set in the wake of the #MeToo and Time’s Up movements, What We Both Know is a visceral, intimate, and complex novel about confronting the personal and professional consequences—and potentially devastating fallout—of revealing the truth about a famous man.

Alex Turner is never The One—but always the last one an ex dates before finding love—and now she’s determined to find out why in this hilarious new rom-com.

Single divorce attorney Alex Turner is watching reality TV when she sees her latest ex’s new fiancée picking out her wedding dress. Yet again, the guy she dumped went on to marry (or at least seriously commit to) the next person he dates after her. Fed up with being the precursor to happily ever after, she decides to interview all her exes to find out why.

Up-and-coming chef Will Harkness mixes with Alex like oil and vinegar, but forced proximity growing up means their lives are forever entwined. When Will learns Alex and her friends are going on a wild romp through Los Angeles to reconnect with her ex-boyfriends, he decides to tag along. If he can discover what her exes did wrong, he can make sure he doesn’t make the same mistake with Alex.

On this nonstop journey through the streets of LA, Alex realizes the answer to her question might be the man riding shotgun…

One morning, a man wakes up to find himself transformed. Overnight, Anders’s skin has turned dark, and the reflection in the mirror seems a stranger to him. At first he shares his secret only with Oona, an old friend turned new lover. Soon, reports of similar events begin to surface.

Across the land, people are awakening in new incarnations, uncertain how their neighbors, friends, and family will greet them.Some see the transformations as the long-dreaded overturning of the established order that must be resisted to a bitter end. In many, like Anders’s father and Oona’s mother, a sense of profound loss and unease wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance at a kind of rebirth–an opportunity to see ourselves, face to face, anew.