Fiction

Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby.

Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute.

If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.

Right after the sudden death of her mother—her first and most devoted fan—and just before the launch of her high-stakes sophomore album, Greta James falls apart on stage. The footage quickly goes viral and she stops playing, her career suddenly in jeopardy—the kind of jeopardy her father, Conrad, has always predicted; the kind he warned her about when he urged her to make more practical choices with her life.

Months later, Greta—still heartbroken and very much adrift—reluctantly agrees to accompany Conrad on the Alaskan cruise her parents had booked to celebrate their fortieth anniversary. It could be their last chance to heal old wounds in the wake of shared loss. But the trip will also prove to be a voyage of discovery for them both, and for Ben Wilder, a charming historian, onboard to lecture about The Call of the Wild, who is struggling with a major upheaval in his own life. As Greta works to build back her confidence and Ben confronts an uncertain future, they find themselves drawn to and relying on each other.

It’s here in this unlikeliest of places—at sea, far from the packed city venues where she usually plays and surrounded by the stunning scenery of Alaska—Greta will finally confront the choices she’s made, the heartbreak she’s suffered, and the family hurts that run deep. In the end, she’ll have to decide what her path forward might look like—and how to find her voice again.

The unnamed narrator of this dazzling novel escapes from Zanzibar to England knowing that he will probably never return. In his new country, things are not quite as he imagined – the school where he teaches is cramped and violent, and he quickly forgets how it feels to belong.

But when he meets a beautiful, rebellious woman named Emma, and when Emma, turns away from her white, middle-class roots to offer him love and bear him a child, the narrator chooses to hide his past from his new family and his present circumstance from his family back in Zanzibar.

Twenty years later, when the barriers at last come down in Zanzibar, he is compelled to go back. What he discovers there, in a story potent with truth, will change the entire vision of his life.

Blythe Connor is determined that she will be the warm, comforting mother to her new baby Violet that she herself never had.

But in the thick of motherhood’s exhausting early days, Blythe becomes convinced that something is wrong with her daughter—she doesn’t behave like most children do.

Or is it all in Blythe’s head? Her husband, Fox, says she’s imagining things. The more Fox dismisses her fears, the more Blythe begins to question her own sanity, and the more we begin to question what Blythe is telling us about her life as well.

Then their son Sam is born—and with him, Blythe has the blissful connection she’d always imagined with her child. Even Violet seems to love her little brother. But when life as they know it is changed in an instant, the devastating fall-out forces Blythe to face the truth.

For fans of Verity and We Need to talk about Kevin, The The Push is a tour de force you will read in a sitting, an utterly immersive novel that will challenge everything you think you know about motherhood, about what we owe our children, and what it feels like when women are not believed.

Margot Noble needs some relief from the stress of running the family winery with her brother. Enter Luke: sexy, charming, and best of all in the too-small world of Napa, a stranger. The chemistry between them is undeniable, and Margot is delighted that she lucked into the perfect one-night stand she’ll never have to see again. That is, until the winery’s newest hire, Luke, walks in the next morning. Margot is determined to keep things purely professional, but when their every interaction reminds her of the attraction still bubbling between them, it proves to be much more challenging than she expects.

Luke Williams had it all, but when he quits his high-salary tech job in Silicon Valley in a blaze of burnout and moves back to Napa to help a friend, he realizes he doesn’t want to tell the world—or his mom—why he’s now working at a winery. His mom loves bragging about her successful son—how can he admit that the job she’s so proud of broke him? Luke has no idea what is next for him, but one thing is certain: he wants more from the incredibly smart and sexy woman he hooked up with—even after he learns she’s his new boss. But even if they can find a way to be together that wouldn’t be an ethical nightmare, would such a successful woman really want a tech-world dropout?

Set against a lush backdrop of Napa Valley wine country, nothing goes to your head as fast as a taste of love—even if it means changing all your plans.