In Dearly, Margaret Atwood’s first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and – zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived.
Soon to be a major motion picture sequel to Murder on the Orient Express with a screenplay by Michael Green, directed by and starring Kenneth Branagh alongside Gal Gadot—coming Feb 11, 2022!
Beloved detective Hercule Poirot embarks on a journey to Egypt in one of Agatha Christie’s most famous mysteries.
The tranquility of a luxury cruise along the Nile was shattered by the discovery that Linnet Ridgeway had been shot through the head. She was young, stylish, and beautiful. A girl who had everything . . . until she lost her life.
Hercule Poirot recalled an earlier outburst by a fellow passenger: “I’d like to put my dear little pistol against her head and just press the trigger.” Yet under the searing heat of the Egyptian sun, nothing is ever quite what it seems.
A sweeping mystery of love, jealousy, and betrayal, Death on the Nile is one of Christie’s most legendary and timeless works.
Funmi, Enitan, and Zainab first meet at university in Nigeria and become friends for life despite their differences. Funmi is beautiful, brash, and determined; Enitan is homely and eager, seeking escape from her single mother’s smothering and needy love; Zainab is elegant and reserved, raised by her father’s first two wives after her mother’s death in childbirth. Their friendship is complicated but enduring, and over the course of the novel, the reader learns about their loves and losses. How Funmi stole Zainab’s boyfriend and became pregnant, only to have an abortion and lose the boyfriend to police violence. How Enitan was seduced by an American Peace Corps volunteer, the only one who ever really saw her, but is culturally so different from him—a Connecticut WASP—that raising their daughter together put them at odds. How Zainab fell in love with her teacher, a friend of her father’s, and ruptured her relationship with her father to have him.
Now, some thirty years later, the three women are reunited for the first time, in Lagos. The occasion: Funmi’s daughter, Destiny, is getting married. Enitan brings her American daughter, Remi. Zainab travels by bus, nervously leaving her ailing husband in the care of their son. Funmi, hosting the weekend with her wealthy husband, wants everything to go perfectly. But as the big day approaches, it becomes clear that something is not right. As the novel builds powerfully, the complexities of the mothers’ friendship—and the private wisdom each has earned—come to bear on a riveting, heartrending moment of decision. Dele Weds Destiny is a sensational debut from a dazzling new voice in contemporary fiction.
Zainab, Funmi and Enitan first meet at University in northern Nigeria, all learning how to become themselves. It’s an experience that binds the three very different women together. When Enitan moves to New York to elope with a white man, Zainab and Funmi are left behind, with drastically different fortunes.
Over the course of thirty years, their lives and friendships diverge and change. Enitan is separating from her husband, trying to understand her daughter Remi. Zainab finds herself the sole breadwinner for her husband and their four sons. And Funmi is living a life of confined luxury, as the wife of a successful, shady businessman.
But theirs is a friendship that can endure decades of distance. And in 2015, they are reunited for the first time for the wedding of Funmi’s daughter, Destiny.
Here they will reflect on their pasts, the things they loved and lost – but the present brings unexpected surprises too, because their daughters, Remi and Destiny, might just be as rebellious and open-hearted as they once were.
Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.
When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all.
Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to…
A masterwork by the 2021 Nobel Prize winner in Literature, in which the consequences of an illicit love affair reverberate from the heyday of the British empire to the aftermath of African independence
Early one morning in 1899, an Englishman named Martin Pearce stumbles out of the desert into an East African coastal town and collapses at the feet of Hassanali, a local shopkeeper. When Hassanali’s sister, the beautiful and disillusioned Rehana, nurses Pearce back to health, a love affair sparks, with consequences that will ripple decades into the future, when another clandestine affair bursts into flame, with equally unforeseen and dramatic consequences.
In this devastating and ingeniously spun tale, the Nobelist Abdulrazak Gurnah brilliantly dramatizes the personal and political legacies of colonialism.
When Tina Das finds herself at a crossroads both professionally and personally, she wonders if a weeklong trip to Delhi for her cousin’s lavish wedding might be just the right kind of escape. Maybe a little time away from New York will help get her mind straight about her stalled career, her recent breakup, and her nagging suspicion that she’ll never feel as at home in America as she does in India. Tina hopes this destination wedding, taking place at Delhi’s poshest country club, Colebrookes, will be the perfect way to reflect and unwind.
But with the entire Das family in attendance, a relaxing vacation is decidedly not in the cards. Her amicably divorced parents are each using the occasion to explore new love interests—for her mother, a white American boyfriend, for her father, an Indian widow arranged by an online matchmaker—and Tina’s squarely in the middle. A former fling is unexpectedly on the guest list, a work opportunity is blurring the lines of propriety on several fronts, and her best friend Marianne’s terrible penchant for international playboys is poised to cause all sorts of chaos back home. The accommodations are swanky, the alcohol is top-shelf, but this family wedding may be more drama than Tina can bear and could finally force her to make the choices she’s spent much of her life avoiding.
Infused with warmth and charm, Destination Wedding grapples with the nuances of family, careers, belonging, and how we find the people who make a place feel like home.
The year is 1948, the town is Los Angeles.
Easy Rawlins, a black war veteran, has just been fired from his job at a defense factory plant. Drinking in his friend’s bar, he’s wondering how he’ll manage to make ends meet, when a white man in a linen suit approaches him and offers him good money if Easy will simply locate Miss Daphne Money, a missing blonde beauty known to frequent black jazz clubs.
Easy has no idea that by taking this job, his life is about to change forever.
When the Black Cats join their capone to “punish” a fellow student, they have no idea the terror they are about to unleash.
When Simon, a student at Buscan University, awakens from a dream covered in blood, he has no idea he has become a puppet in the hands of a vengeful spirit.
When the police are called to investigate heinous murders on a university campus, they have no idea they are up against something more sinister than their eyes can see.
Different worlds collide in this chilling novel that blurs the lines between justice and revenge.
What happens when you mix 1 (accidental) murder with 2 thousand wedding guests, and then toss in a possible curse on 3 generations of an immigrant Chinese-Indonesian family?
You get 4 meddling Asian aunties coming to the rescue!
When Meddelin Chan ends up accidentally killing her blind date, her meddlesome mother calls for her even more meddlesome aunties to help get rid of the body. Unfortunately, a dead body proves to be a lot more challenging to dispose of than one might anticipate, especially when it is inadvertently shipped in a cake cooler to the over-the-top billionaire wedding Meddy, her Ma, and aunties are working at an island resort on the California coastline. It’s the biggest job yet for the family wedding business—”Don’t leave your big day to chance, leave it to the Chans!”—and nothing, not even an unsavory corpse, will get in the way of her auntie’s perfect buttercream flowers.
But things go from inconvenient to downright torturous when Meddy’s great college love—and biggest heartbreak—makes a surprise appearance amid the wedding chaos. Is it possible to escape murder charges, charm her ex back into her life, and pull off a stunning wedding all in one weekend?
“I’ve never understood white people who can’t admit they’re white. I mean, white isn’t just a color. And maybe that’s the problem for them. White is a passport. It’s a ticket.”
Five estranged cousins are lost in a maze of their family’s tangled secrets. Their grandparents, former potato farmers Gottfried and Marla Hemmings, managed to trade digging spuds for developing subdivisions and now they sit atop a million-dollar bank account—wealth they’ve refused to pass on to their adult children or their five teenage grandchildren. “Because we want them to thrive,” Marla always says.
But for the Hemmings cousins, “thriving” feels a lot like slowly dying of a poison they started taking the moment they were born. As the rot beneath the surface of the Hemmings’ white suburban respectability destroys the family from within, the cousins find their ways back to one another, just in time to uncover the terrible cost of maintaining the family name.
With her inimitable surrealism, award winner A.S. King exposes how a toxic culture of polite white supremacy tears a family apart and how one determined generation can dig its way out.
Raney Moore has it all figured out. An ambitious young partner at a prestigious Manhattan law firm, she’s got a dream job, a loving (and famous) husband, and amazing twin daughters. Her world is full, busy, perfectly scripted. Or so she thinks.
One sunny fall day, a bombshell phone call throws Raney’s well-ordered existence into chaos, and in a fit of rage, she diabolically, hilariously burns everything down. Once the flames subside, she finds herself asking some difficult questions: Who am I? What just happened? Am I ever going to find my way back to normal? Assisted by enterprising paralegals, flirtatious clientele, one dear friend and an unforgettable therapist, Raney thinks the answers are close at hand, only to find life spiraling utterly out of control.
Uproarious, incisive and poignant, Do This For Me introduces a brilliant, off-kilter heroine on a quest to understand sex, fight workplace inequality, and solve the mystery of herself.
Divorce attorney RJ would never describe herself as romantic. But when she ends up officiating an unplanned wedding for a newly engaged couple in a park, her life is turned upside down. The video of the ceremony goes viral, and she finds herself in the unlikely position of being a sought-after local wedding officiant. Spending her free time overseeing “I dos” isn’t her most strategic career move, but she enjoys it, except for the type A dude-bro wedding planner she’s forced to work with.
Former pro-football event manager Lear is a people person, but after his longtime girlfriend betrayed him, he isn’t looking for love. He knows how to execute events and likes being in control, so working with an opinionated and inflexible officiant who can’t stand him is not high on his list. He’s never had trouble winning people over, but RJ seems immune to his charms.
Surrounded by love at every turn, their physical attraction pulls them together despite their best efforts to stay an arm’s length apart. Lear refuses to get hurt again. RJ refuses to let herself be vulnerable to anyone. But when it comes to happily ever after, their clients might not be the only ones saying “I do.”
“Don Quixote, a lanky scarecrow of a man with his withered face and lantern jaw, dons his rusty armour and mounts his ramshackle steed, Rozinante. With lance couched he still rides through our lives, followed by his potbellied squire Sancho Panza.”
With these words, Walter Starkie launches the introduction to his highly esteemed translation and abridgment of Cervantes’s great classic—a book that has enchanted generations of readers throughout the world.
Brimming with humor, rich in idealism and earthy common sense, vivid in its characterizations of men and women from every walk of life—nobles, priests, impassioned damsels, simple country girls, rogues, and romantics—Don Quixote, in this zestful translation, will win many new friends.
When the streams suddenly run dry in Ani Mmadu, the people know it is time to atone for a sin that goes back to the very beginning of their world, the consequence of one woman’s rebellion against the all-powerful and unforgiving, jealous god. To avert this catastrophe and for the waters to flow and nourish the farms again, the people must send an Aja—a child chosen by the Oracle—into the Forest of Iniquity, to atone for that great Sin. It falls on young Adanne to save her people this time. But the Ajas sent into the dreaded forest tend never to return. Is Adanne the long-awaited one who will buck the trend and end her people’s suffering?
Don’t Answer When They Call Your Name is an extraordinary novel bursting with kaleidoscopic worlds and beings. It is a feat of the imagination from a born storyteller.
When Diego Montalvo, a dashing Spanish magician, moves next door to Charlotte Harris’s School for Young Ladies, the beautiful and determined Lucy Seton sets out to save the threatened school. Diego has come to England to find the long-lost granddaughter of a Spanish Marques and return her to Spain, and he is convinced that Lucy is the woman he’s been looking for. Now, he just has to steal a look at her thigh to confirm a birthmark before whisking her away to Spain to collect his reward. But Diego never suspected his mission would include falling in love…
