Fiction

A masterwork by the 2021 Nobel Prize winner in Literature, in which the consequences of an illicit love affair reverberate from the heyday of the British empire to the aftermath of African independence

Early one morning in 1899, an Englishman named Martin Pearce stumbles out of the desert into an East African coastal town and collapses at the feet of Hassanali, a local shopkeeper. When Hassanali’s sister, the beautiful and disillusioned Rehana, nurses Pearce back to health, a love affair sparks, with consequences that will ripple decades into the future, when another clandestine affair bursts into flame, with equally unforeseen and dramatic consequences.

In this devastating and ingeniously spun tale, the Nobelist Abdulrazak Gurnah brilliantly dramatizes the personal and political legacies of colonialism.

When Tina Das finds herself at a crossroads both professionally and personally, she wonders if a weeklong trip to Delhi for her cousin’s lavish wedding might be just the right kind of escape. Maybe a little time away from New York will help get her mind straight about her stalled career, her recent breakup, and her nagging suspicion that she’ll never feel as at home in America as she does in India. Tina hopes this destination wedding, taking place at Delhi’s poshest country club, Colebrookes, will be the perfect way to reflect and unwind.

But with the entire Das family in attendance, a relaxing vacation is decidedly not in the cards. Her amicably divorced parents are each using the occasion to explore new love interests—for her mother, a white American boyfriend, for her father, an Indian widow arranged by an online matchmaker—and Tina’s squarely in the middle. A former fling is unexpectedly on the guest list, a work opportunity is blurring the lines of propriety on several fronts, and her best friend Marianne’s terrible penchant for international playboys is poised to cause all sorts of chaos back home. The accommodations are swanky, the alcohol is top-shelf, but this family wedding may be more drama than Tina can bear and could finally force her to make the choices she’s spent much of her life avoiding.

Infused with warmth and charm, Destination Wedding grapples with the nuances of family, careers, belonging, and how we find the people who make a place feel like home.

“I’ve never understood white people who can’t admit they’re white. I mean, white isn’t just a color. And maybe that’s the problem for them. White is a passport. It’s a ticket.”

Five estranged cousins are lost in a maze of their family’s tangled secrets. Their grandparents, former potato farmers Gottfried and Marla Hemmings, managed to trade digging spuds for developing subdivisions and now they sit atop a million-dollar bank account—wealth they’ve refused to pass on to their adult children or their five teenage grandchildren. “Because we want them to thrive,” Marla always says.

But for the Hemmings cousins, “thriving” feels a lot like slowly dying of a poison they started taking the moment they were born. As the rot beneath the surface of the Hemmings’ white suburban respectability destroys the family from within, the cousins find their ways back to one another, just in time to uncover the terrible cost of maintaining the family name.

With her inimitable surrealism, award winner A.S. King exposes how a toxic culture of polite white supremacy tears a family apart and how one determined generation can dig its way out.

“Don Quixote, a lanky scarecrow of a man with his withered face and lantern jaw, dons his rusty armour and mounts his ramshackle steed, Rozinante. With lance couched he still rides through our lives, followed by his potbellied squire Sancho Panza.”

With these words, Walter Starkie launches the introduction to his highly esteemed translation and abridgment of Cervantes’s great classic—a book that has enchanted generations of readers throughout the world.

Brimming with humor, rich in idealism and earthy common sense, vivid in its characterizations of men and women from every walk of life—nobles, priests, impassioned damsels, simple country girls, rogues, and romantics—Don Quixote, in this zestful translation, will win many new friends.

A searing tale of a young woman re-discovering her troubled family history and finding herself in the process.

In post-World War II England, 17-year-old Dottie Badoura Fatma Balfour knows nothing of her family origins, and little of their history – or the abuse her ancestors suffered as they made their home in Britain. But Dottie knows what her family means to her, and in the wake of her mother’s death, she’s determined to keep the family together. She takes responsibility for her younger siblings, Sophie and Hudson.

But as Sophie drifts from man to man, and the confused Hudson is absorbed into a world of crime, Dottie is forced to consider her own needs. Feeling rootless in England, she seeks a space for herself and an identity through books and begins to clear a path through life. Gradually, Dottie gathers the confidence to take risks, to forge friendships and to challenge the labels that have been forced upon her.

For readers of Jhumpa Lahiri and Zadie Smith, Dottie is a deeply compassionate portrait of a second generation immigrant, a masterful examination of poverty and racism, and a psychologically nuanced story of family and survival.