Fiction

After a rough year at NYU, aspiring writer Lora Ricci is thrilled to land a summer internship at ELLE magazine where she meets Cat Wolff, contributing editor and enigmatic daughter of a clean-energy mogul. Cat takes Lora under her wing, soliciting her help with side projects and encouraging her writing.

As a friendship emerges between the two women, Lora opens up to Cat about her financial struggles and lost scholarship. Cat’s solution: Drop out of NYU and become her ghostwriter. Lora agrees and, when the internship ends, she moves into Cat’s suite at the opulent Plaza Hotel. Writing during the day and accompanying Cat to extravagant parties at night, Lora’s life quickly shifts from looming nightmare to dream-come-true. But as Lora is drawn into Cat’s glamorous lifestyle, Cat’s perfect exterior cracks, exposing an illicit, shady world.

A whip-smart and delightfully inventive writer, Susan Rigetti brilliantly pieces together a perceptive, humorous caper full of sharp observations about scam culture. Composed of diary entries, emails, FBI correspondence, and more, Cover Story is a fresh, fun, and wholly original novel that takes readers deep into the codependency and deceit found in a relationship built on power imbalance and lies.

For fans of Children of Blood and Bone and Six of Crows comes the thrilling conclusion to the Blood Heir trilogy. A princess with a dark secret must ally with a con man to liberate her empire from a reign of terror in this epic fantasy retelling of the Anastasia story.

The Red Tigress, Anastacya Mikhailov, has lost the gift she was only beginning to realize defined her. Stolen from her during the battle in Bregon, her blood Affinity rests with Sorsha Farrald, a dangerous Affinite who is on the run, headed straight to Cyrilia and to Ana’s aunt . . . the Empress Morganya.

Thought she is weakened, Ana and her course remain true—yet her return to her homeland reveals a Cyrilia on the brink of collapse. Morganya’s tyrannical rule has transformed into a sinister quest for unquestioned authority, and she has set her sights far beyond Cyrilia. Morganya seeks a legendary ancient power, rumored to have once belonged to the Deities themselves. If she can locate it, she can rule the world.

What’s more, Ana’s allies, the insurgent Affinite rebels known as the Redcloaks, no longer support her. For their allegiance is with the people—and there can be no equality with a monarchy.

Ana faces enemies at every turn, and every day without her Affinity brings her closer to death. Yet she is determined to liberate her people and vanquish the legacy of her own imperial bloodline—the inequality sewn into the fabric of her land. Her only hope lies in the navy she recruited in Bregon, the courage of her band of friends, and the cunning crime-lord-turned-captain she’s fallen for.

If Ana loses this fight, it will be her last. And Morganya’s reign of darkness with consume the world.

An Oprah Book Club selection, Cry, the Beloved Country, was an immediate worldwide bestseller when it was published in 1948. Alan Paton’s impassioned novel about a black man’s country under white man’s law is a work of searing beauty.

Cry, the Beloved Country, is the deeply moving story of the Zulu pastor Stephen Kumalo and his son, Absalom, set against the background of a land and a people riven by racial injustice. Remarkable for its lyricism, unforgettable for character and incident, Cry, the Beloved Country is a classic work of love and hope, courage and endurance, born of the dignity of man.

One night in New York City’s Chinatown, a woman is at a work reunion dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. And then another. And . . . another. Soon nothing is quite what it seems as the city becomes awash with ghosts of heartbreaks past.

What would normally pass for coincidence becomes something far stranger as our heroine, the recently engaged Lola, must contend not only with the viability of her current relationship but the fact that both her best friend and her former boss, a magazine editor turned mystical guru, might have an unhealthy investment in the outcome. Memories of the past swirl and converge in ways both comic and eerie, as Lola is forced to decide if she will surrender herself to the conspiring of one very contemporary cult.

Is it possible to have a happy ending in an age when the past is ever at your fingertips and sanity is for sale? With her gimlet eye, Sloane Crosley spins a wry literary fantasy that is equal parts page-turner and poignant portrayal of alienation.

The Demon Gods have risen. Skies’ End has fallen to the colonizers. And Lan and Zen have chosen sides.

But they will not fight together.

Though Lan inherited the power of the Silver Dragon, she understands the path she must take. She believes the Demon Gods to be the cause of war, conflict, and turmoil, and that the future of the Last Kingdom depends on their being eliminated forever. Worse, she knows that if the Elantians manage to bind one of the legendary beings, their army will be unstoppable. To save her kingdom and her people, Lan will need to find the only mythical weapon capable of destroying the Demon Gods: the Godslayer.

Zen is sure that the only way to free the Last Kingdom is to use the power of the Demon Gods. When he bound the Black Tortoise, he paid the ultimate price: to inherit its strength, he will forfeit his body, his mind, and his soul. Yet one Demon God is not enough against the might of the colonizers. In the ruins of the northern Mansorian lands slumbers a magical army of demonic practitioners capable of facing off against the Elantians—but Zen must find the Seal to awaken them to fight by his side.

At the center of both Lan’s and Zen’s journeys is one city: Shaklahira, a former stronghold of the Imperial Court that vanished without a trace when the Elantians invaded. Its location is a mystery, and both are sure that it holds the answers they need, but the past it hides might be more dangerous than anything they’ve faced yet.

The battle for the Last Kingdom rages on. But to win the war, Lan will have to decide: Can she face the boy she loves again? And when she does, can she kill him to free her people?