Fiction

Mallory Greenleaf is done with chess. Every move counts nowadays; after the sport led to the destruction of her family four years earlier, Mallory’s focus is on her mom, her sisters, and the dead-end job that keeps the lights on. That is, until she begrudgingly agrees to play in one last charity tournament and inadvertently wipes the board with notorious “Kingkiller” Nolan Sawyer: current world champion and reigning Bad Boy of chess.

Nolan’s loss to an unknown rook-ie shocks everyone. What’s even more confusing? His desire to cross pawns again. What kind of gambit is Nolan playing? The smart move would be to walk away. Resign. Game over. But Mallory’s victory opens the door to sorely needed cash-prizes and despite everything, she can’t help feeling drawn to the enigmatic strategist….

As she rockets up the ranks, Mallory struggles to keep her family safely separated from the game that wrecked it in the first place. And as her love for the sport she so desperately wanted to hate begins to rekindle, Mallory quickly realizes that the games aren’t only on the board, the spotlight is brighter than she imagined, and the competition can be fierce (-ly attractive. And intelligent…and infuriating…)

C.S. Lewis’s The Screwtape Letters has entertained and enlightened readers the world over with its sly and ironic portrayal of human life and foibles from the unique vantage point of Screwtape, a highly placed assistant to “Our Father Below.” At once wildly comic, deadly serious, and strikingly original, C.S. Lewis gives us the correspondence of the wordly-wise devil to his nephew Wormwood, a novice demon in charge of securing the damnation of an ordinary young man. The Screwtape Letters is the most engaging account of temptation—and triumph over it—ever written.

An MI6 operative is found dead, locked in a suitcase inside his own apartment. Despite an exhaustive search, no fingerprints are found at the scene. Emma Makepeace and her handler, Ripley, know an assassination when they see one, and such an obvious murder can mean only one thing: Someone is sending a message.

As she digs into his past, Emma discovers that the unfortunate spy had been investigating two Russian oligarchs based in London. He’d become obsessed with the idea that the two were spies, aided by a third man—whose identity he had yet to uncover. When he shared his findings within MI6 in the weeks before he died, the response came back fast and clear: Drop the investigation and move on. Had he uncovered a secret that cost him his life?

To pick up where he left off without ending up in a suitcase of her own, Emma goes undercover on one of the oligarch’s million-dollar yachts, scheduled to set sail from the Côte d’Azur to Monaco. Under other circumstances, this would be a dream vacation. But if Emma’s real identity gets discovered, it’s a death sentence.

As Emma’s work reveals secrets she’d be safer not knowing, the danger ratchets up. The killer may be closer to home than any of them imagined, and Emma won’t be safe until he—or she—is caught.

After twenty years of marriage, Rami discovers that her husband has been living a double–or rather, a quintuple–life. Tony, a senior police officer in Maputo, has apparently been supporting four other families for many years. Rami remains calm in the face of her husband’s duplicity and plots to make an honest man out of him. After Tony is forced to marry the four other women–as well as an additional lover–according to polygamist custom, the rival lovers join together to declare their voices and demand their rights.

In this brilliantly funny and feverishly scathing critique, a major work from Mozambique’s first published female novelist, Paulina Chiziane explores her country’s traditional culture, its values and hypocrisy, and the subjection of women the world over.

In a manor by the sea, twelve sisters are cursed.

Annaleigh lives a sheltered life at Highmoor with her sisters and their father and stepmother. Once there were twelve, but loneliness fills the grand halls now that four of the girls’ lives have been cut short. Each death was more tragic than the last–the plague, a plummeting fall, a drowning, a slippery plunge–and there are whispers throughout the surrounding villages that the family is cursed by the gods.

Disturbed by a series of ghostly visions, Annaleigh becomes increasingly suspicious that her sister’s deaths were no accidents. The girls have been sneaking out every night to attend glittering balls, dancing until dawn in silk gowns and shimmering slippers, and Annaleigh isn’t sure whether to try to stop them or to join their forbidden trysts. Because who–or what–are they really dancing with?

When Annaleigh’s involvement with a mysterious stranger who has secrets of his own intensifies, it’s a race to unravel the darkness that has fallen over her family–before it claims her next. House of Salt and Sorrows is a spellbinding novel filled with magic and the rustle of gossamer skirts down long, dark hallways. Be careful who you dance with…

Charles Dickens’s Great Expectations charts the course of orphan Pip Pirrip’s life as it is transformed by a vast, mysterious inheritance. A terrifying encounter with the escaped convict Abel Magwitch in a graveyard on the wild Kent marshes; a summons to meet the bitter, decrepit Miss Havisham and her beautiful, cold-hearted ward Estella at Satis House; the sudden generosity of a mysterious benefactor – these form a series of events that change the orphaned Pip’s life forever, and he eagerly abandons his humble station as an apprentice to blacksmith Joe Gargery, beginning a new life as a gentleman.

Charles Dickens’s haunting late novel depicts Pip’s education and development through adversity as he discovers the true nature of his identity, and his ‘great expectations’. This definitive version uses the text from the first published edition of 1861. It includes a map of Kent in the early nineteenth century, and appendices on Dickens’s original ending and his working notes, giving readers an illuminating glimpse into the mind of a great novelist at work.

Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist, and a gatherer of literary communities. Before his tragic death in 2019 at the age of forty-eight, he won the Caine Prize for African Writing and was named one of Time’s 100 Most Influential People. His wildly popular essay “How to Write About Africa,” an incisive and unapologetic piece that exposed the harmfully racist ways Western media depicts Africa, with implicit bias and subjective clichés, changed the game for African writers and helped set the stage for a new generation of authors, from Chimamanda Ngozi Adichie to Yaa Gyasi.

When Wainaina published a “lost chapter” of his 2011 memoir as an essay called “I Am a Homosexual, Mum,” in which he imagines coming out to his mother, he became a voice for the queer, African community as well, adding a new layer to how African sexuality is perceived.

How to Write About Africa celebrates this legacy in a collection of imaginative essays and short fiction about sexuality, art, history, and contemporary Africa. Wainaina’s writing is playful, robust, generous and full-bodied. He describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of a country and continent. These works present a portrait of a giant in African literature, who left a tremendous legacy.