Fiction

Richly drawn stories about the lives of ordinary families in contemporary Botswana as they navigate relationships, tradition and caretaking in a rapidly changing world.

A young widow adheres to the expectations of wearing mourning clothes for nearly a year, though she’s unsure what the traditions mean or whether she is ready to meet the world without their protection. An older sister returns home from a confusing time in America, only to explain at every turn why she’s left the land of opportunity. A younger sister hides her sexual exploits from her family, while her older brother openly flaunts his infidelity.

The stories collected in Call and Response are strongly anchored in place – in the village of Serowe, where the author is from, and in Gaborone, the capital city of Botswana – charting the emotional journeys of women seeking love and opportunity beyond the barriers of custom and circumstance.

Gothataone Moeng is part of a new generation of writers coming out of Africa whose voices are ready to explode onto the literary scene. In the tradition of writers like Chimamanda Adiche and Jhumpa Lahiri, she offers us insight into communities, experiences and landscapes through stories that are cinematic in their sweep, with unforgettable female protagonists.

Audrey Zhou left Hickory Grove, the tiny central Illinois town where she grew up, as soon as high school ended, and she never looked back. She moved to New York City and became the person she always wanted to be, complete with a high-paying, high-pressure job and a seemingly faultless fiancé. But if she and Manhattan-bred Ben are to build a life together, in the dream home his parents will surely pay for, Audrey can no longer hide him, or the person she’s become, from those she left behind.

But returning to Hickory Grove is . . . complicated. Audrey’s relationship with her parents has been soured by years of her mother’s astronomical expectations and slights. The friends she’s shirked for bigger dreams have stayed behind and started families. And then there’s Kyle, the easygoing stoner and her unrequited crush from high school that she finds herself drawn to again. Ben might be a perfect fit for New Audrey, but Kyle was always the only one who truly understood her growing up, and being around him again after all these years has Old Audrey bubbling up to the surface.

Over the course of one disastrous week, Audrey’s proximity to her family and to Kyle forces her to confront the past and reexamine her fraught connection to her roots before she undoes everything she’s worked toward and everything she’s imagined for herself. But is that life really the one she wants?