Fiction

I don’t want to tell you what happened. I want to tell you how it felt.

Cassandra Williams is twelve; her little brother, Wayne, is seven. One day, when they’re alone together, there is an accident and Wayne is lost forever. His body is never recovered. The missing boy cleaves the family with doubt. Their father leaves, starts another family elsewhere. But their mother can’t give up hope and launches an organization dedicated to missing children.

As C grows older, she sees her brother everywhere: in bistros, airplane aisles, subway cars. Here is her brother’s face, the light in his eyes, the way he seems to recognize her, too. But it can’t be, of course. Or can it? Then one day, in another accident, C meets a man both mysterious and familiar, a man who is also searching for someone and for his own place in the world. His name is Wayne.

Namwali Serpell’s remarkable new novel captures the uncanny experience of grief, the way the past breaks over the present like waves in the sea. The Furrows is a bold exploration of memory and mourning that twists unexpectedly into a story of mistaken identity, double consciousness, and the wishful—and sometimes willful—longing for reunion with those we’ve lost.

The oldest trick in the book turns out to be the best thing that’s ever happened . . .
Jada Berklee’s acting career is finally heating back up after an on-set romance with her ex ruined her last job on a popular TV show. When she gets a second chance with a desirable supporting role in a hot new romantic comedy, Jada’s determined not to let on-set politics or her off-set ex get in the way again. She’s prepared, polished, professional–and she’s going to knock their socks off.

Still, despite Jada’s best efforts to keep her head down she accidentally walks in on leading man–and notorious lothario–Tristan Maxwell cheating on his latest fling. An intense and embarrassing showdown on set ensues. Of course, there are no secrets in Hollywood, and when their confrontation makes its way to the biggest gossip site in the world, it has consequences for both their careers.

With their reputations on the line, they need public relations rehab, and stat. Tristan’s agent suggests the perfect solution–a fake relationship to get the press off their back and repair both their images. Jada reluctantly agrees. But when their faux-romance begins to have real consequences for them both, Tristan and Jada need to decide if they’re in it for real, and not just when the cameras are rolling.

After an ultra-romantic honeymoon across Europe, Meddy Chan and her husband Nathan have landed in Jakarta to spend Chinese New Year with her entire extended family. Chinese New Year, already the biggest celebration of the Lunar calendar, gets even more festive when a former beau of Second Aunt’s shows up at the Chan residence bearing extravagant gifts—he’s determined to rekindle his romance with Second Aunt and the gifts are his way of announcing his courtship.

His grand gesture goes awry however, when it’s discovered that not all the gifts were meant for Second Aunt and the Chans—one particular gift was intended for a business rival to cement their alliance and included by accident. Of course the Aunties agree that it’s only right to return the gift—after all, anyone would forgive an honest mistake, right? But what should have been a simple retrieval turns disastrous and suddenly Meddy and the Aunties are helpless pawns in a decades-long war between Jakarta’s most powerful business factions. The fighting turns personal, however, when Nathan and the Aunties are endangered and it’s up to Meddy to come up with a plan to save them all. Determined to rescue her loved ones, Meddy embarks on an impossible mission—but with the Aunties by her side, nothing is truly impossible…

A summer in Greece for three best friends ends in the unthinkable when only two return home. . . .

Ten years ago, after a sun-soaked summer spent in Greece, best friends Bess and Joni were cleared of having any involvement in their friend Evangeline’s death. But that didn’t stop the media from ripping apart their teenage lives like vultures.

While the girls were never convicted, Joni, ever the opportunist, capitalized on her newfound infamy to become a motivational speaker. Bess, on the other hand, resolved to make her life as small and controlled as possible so she wouldn’t risk losing everything all over again. And it almost worked. . . .

Except now Joni needs a favor, and when she turns up at her old friend’s doorstep asking for an alibi, Bess has no choice but to say yes. She still owes her. But as the two friends try desperately to shake off their past, they have to face reality.

Can you ever be an innocent woman when everyone wants you to be guilty?

With the Second World War only a few years in the past, and Japan still reeling from its effects, two sisters—born to the same father but different mothers—struggle to make sense of the new world in which they are coming of age. Asako, the younger, has become obsessed with locating a third sibling, while also experiencing love for the first time.

While Momoko, their father’s first child—haunted by the loss of her kamikaze boyfriend and their final, disturbing days together—seeks comfort in a series of unhealthy romances. And both sisters find themselves unable to outrun the legacies of their late mothers. A thoughtful, probing novel about the enduring traumas of war, the unbreakable bonds of family, and the inescapability of the past, The Rainbow is a searing, melancholy work from one of Japan’s greatest writers.