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Trevor Benson never intended to move back to New Bern, North Carolina. But when a mortar blast outside the hospital where he worked sent him home from Afghanistan with devastating injuries, the dilapidated cabin he’d inherited from his grandfather seemed as good a place to regroup as any.

Tending to his grandfather’s beloved beehives, Trevor isn’t prepared to fall in love with a local . . . yet, from their very first encounter, Trevor feels a connection with deputy sheriff Natalie Masterson that he can’t ignore. But even as she seems to reciprocate his feelings, she remains frustratingly distant, making Trevor wonder what she’s hiding.

Further complicating his stay in New Bern is the presence of a sullen teenage girl, Callie, who lives in the trailer park down the road. Trevor hopes Callie can shed light on the mysterious circumstances of his grandfather’s death, but she offers few clues—until a crisis triggers a race to uncover the true nature of Callie’s past, one more intertwined with the elderly man’s passing than Trevor could ever have imagined.

In his quest to unravel Natalie and Callie’s secrets, Trevor will learn the true meaning of love and forgiveness . . . and that in life, to move forward, we must often return to the place where it all began.

The highly anticipated follow-up to the critically acclaimed novel The Widows of Malabar Hill.

India, 1922: It is rainy season in the lush, remote Sahyadri mountains, where the princely state of Satapur is tucked away. A curse seems to have fallen upon Satapur’s royal family, whose maharaja died of a sudden illness shortly before his teenage son was struck down in a tragic hunting accident. The state is now ruled by an agent of the British Raj on behalf of Satapur’s two maharanis, the dowager queen and her daughter-in-law.

The royal ladies are in a dispute over the education of the young crown prince, and a lawyer’s counsel is required. However, the maharanis live in purdah and do not speak to men. Just one person can help them: Perveen Mistry, Bombay’s only female lawyer. Perveen is determined to bring peace to the royal house and make a sound recommendation for the young prince’s future, but she arrives to find that the Satapur palace is full of cold-blooded power plays and ancient vendettas. Too late, she realizes she has walked into a trap. But whose? And how can she protect the royal children from the palace’s deadly curse?

The most celebrated and revered writer of our time gives us a new nonfiction collection: a rich gathering of her essays, speeches, and meditations on race, society, justice, culture, and art, spanning four decades.

The Source of Self-Regard brims with the elegance, literary prowess, and moral gravitas that are Toni Morrison’s inimitable hallmarks. Its forty-four essays (all previously published) are divided into three parts: the first is introduced by a powerful prayer for the dead of 9/11, the second by a searching meditation on Martin Luther King Jr., and the last by a heart-wrenching eulogy for James Baldwin. In the writings and speeches collected here, Morrison takes on contested social issues: the foreigner, female empowerment, the press, money, “black matter(s),” and human rights.

She illuminates enduring matters of culture: the role of the artist in society, goodness in the literary imagination, the Afro-American presence in American literature, and in her Nobel lecture, the power of language itself. And here too is piercing commentary on her own work (including The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise) and that of others, from painter Romare Bearden and author Toni Cade Bambara to theater director Peter Sellars. Fiercely intelligent, gorgeously written, humbling, and inspiring, The Source of Self-Regard is a luminous and essential addition to the Toni Morrison canon.