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The Ogoni of the Eastern Niger Delta are an ancient African community in Southern Nigeria, whose history dates back to BC times. Their history is rich in customs, traditions, economics, politics and culture, which date back to Herodotus, the Greek historian, who wrote about the Silent Trade in West Africa”, in the 4th century BC, a story also reported by the Ogoni in their oral tradition.
Scholars frequently relate the history of West Africa to the coming of the white man into the region. The Ogoni of the Eastern Niger Delta shows that the colonialists later came to see a lot of innovations by the Ogoni; such as trade, money, industry, agriculture, leadership training, government, law, music, sea travel, war and more.
This book is a giant attempt to record and preserve these cultures for future study and development. There is a seperate volume containing fieldwork data on almost every subject for researchers to consult.
Witness to Justice is a personal account of the author’s time on ‘The Judicial Commission for the investigation of Human Rights Violation’ to which he was appointed by President Olusegun Obasanjo in June 1999. An incisive look at the systematic devaluation of human life that took place in Nigeria during the years of military rule, along with the culture of impunity that emerged over that period.
The African Renaissance is the concept that African people and nations shall overcome the current challenges confronting the continent and achieve cultural, scientific, and economic renewal.
At thirty-three, in 1983, Thomas Sankara came to power with a goal of eliminating corruption and eliminating the vestiges colonial domination. He immediately launched one of the most ambitious programmes for social and economic change ever attempted on the African continent. Sankara was assassinated by troops led by Blaise Compaoré in 1987.
It is this Thomas Sankara, held by some as one of Africa’s foremost statesmen, and derided by a small minority as a ruthless dictator, that Jude Idada sets to examine in this play. Everyone interested in history and the subject of an African Renaissance should read this play written by Jude Idada
The murder of Dele Giwa remains on the infamous list of Nigeria’s unsolved murders. More than twenty-five years after Nigeria’s first ever parcel bomb ended the life of one of the country’s most colourful investigative journalists, the case has refused to be laid to rest. In Honour for Sale, Debo Basorun, with the insight of his proximity to some of the dramatis personae, examines the lurid circumstances of this controversial murder. He unearths a web of ‘intrigue and treachery, clannishness and base humanity’ of some of the men in uniform who, only recently, ran the affairs of the country.
Most historians study the smallest slivers of time, emphasizing specific dates, individuals, and documents. But what would it look like to study the whole of history, from the big bang through the present day — and even into the remote future? How would looking at the full span of time change the way we perceive the universe, the earth, and our very existence?
These were the questions David Christian set out to answer when he created the field of “Big History,” the most exciting new approach to understanding where we have been, where we are, and where we are going. In Origin Story, Christian takes readers on a wild ride through the entire 13.8 billion years we’ve come to know as “history.” By focusing on defining events (thresholds), major trends, and profound questions about our origins, Christian exposes the hidden threads that tie everything together — from the creation of the planet to the advent of agriculture, nuclear war, and beyond.
With stunning insights into the origin of the universe, the beginning of life, the emergence of humans, and what the future might bring, Origin Story boldly reframes our place in the cosmos.
Adélékè Adéeko documents Yorùbá patterns of behavior and articulates a philosophy of how to be Yorùbá in this innovative study. As he focuses on historical writings, Ifá divination practices, the use of proverbs in contemporary speech, photography, gendered ideas of dressing well, and the formalities of ceremony and speech at celebratory occasions
Most accounts of Nigeria’s colonisation were written by British officials, presenting it as a noble civilising mission to rid Africans of barbaric superstition and corrupt tribal leadership. Thanks to this skewed writing of history, many Nigerians today still have Empire nostalgia and view the
colonial period through rose-tinted glasses.
Max Siollun offers a bold rethink: an unromanticised history, arguing compellingly that colonialism had few benevolent intentions, but many unjust outcomes. It may have ended slavery and human sacrifice, but it was accompanied by extreme violence; ethnic and religious identity were cynically exploited to maintain control, while the forceful remoulding of longstanding legal and social practices permanently altered the culture and internal politics of indigenous communities. The aftershocks of this colonial meddling are still being felt decades after independence. Popular narratives often suggest that the economic and political turmoil are homegrown, but the reality is that Britain created many of Nigeria’s crises, and has left them behind for Nigerians to resolve.
This is a definitive, head-on confrontation with Nigeria’s experience under British rule, showing how it forever changed the country–perhaps cataclysmically.
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